By Catherine Morgan
This publication stories the character and social functionality of Attic positive pottery imported to the Greek colony of Phanagoria within the Taman Peninsula, southern Russia. the 1st a part of the booklet reports the heritage of study at Phanagoria, and offers an absolutely illustrated catalogue of Attic imports from the excavations of the Institute of Archaeology of the Russian Academy of Sciences (1971-1996) and latterly the collage of London. A concluding part examines imports from town and its cemeteries within the wider context of the "Bosporan state, drawing jointly a wide choice of comparanda particularly from the towns of the Taman Peninsula. through comparability of information from Athens, the northern Aegean, Ionia, and the northern Black Sea, the altering function of Attic pottery in Black Sea alternate is classed.
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Extra info for Attic Fine Pottery of the Archaic to Hellenistic Periods in Phanagoria (Colloquia Pontica)
69 It is, how56 Kuznetsov 1999b offers a valuable synthesis of data on the rural development of the Taman, arguing for major change in the chora with extensive rural settlement only from the fourth century onwards (although see now Müller et al. 1999, 595–598). 57 Solovyov and Butyagin 2002, ﬁgs. 10–14; see also Solovyov 2002 for a report of a survey of the chora of Hermonassa, mentioning sixth and ﬁfth century remains and noting the presence of Attic imports, but with no further details. 58 Sokolskii 1976, 7, ﬁg.
Glazed ground at right; at left vertical framing band of main panel with lower edge of net pattern above. Glaze washy on decoration, thick and glossy on ground. Ht. 03, w. 029, th. 004. Ca. 530–500. Closely similar to 23 although does not join. Context unknown. Moscow, Institute of Archaeology. 25 Pls. 3, 33 Sherd from top of neck just below rim; dividing groove preserved at top. Two bands with upper row of ivy below. Interior glazed. Lightly burnt all over (probably damage in kiln). Ht. 026, w.
More pertinent in the case of Phanagoria is the question of iconography, since while plainer black-glaze examples are current during the early ﬁfth century (382–386), when the shape reappears late in the century (387–388 plus published examples listed in Appendix 1) the dominant iconography, of erotes and women, better suits a feminine, toilet use. In short, this scheme of shape analysis is inevitably a simpliﬁcation of a complex picture, but applied with caution and recognition of areas of difﬁculty, it forms a useful, and most importantly, an explicit basis for diachronic inter- and intra-site comparison.