American Music: A Panorama, Fourth Concise Edition by Lorenzo Candelaria, Daniel Kingman

By Lorenzo Candelaria, Daniel Kingman

This briefer, extra obtainable variation of our best-selling survey textual content describes American tune as a landscape of specific but parallel streams--hip-hop and Latin; folks and kingdom; gospel and classical; jazz, blues, and rock-that replicate the uniquely different personality of the U.S.. evaluating and contrasting musical kinds throughout areas and time, Candelaria and Kingman bring a imaginative and prescient of yank song either exuberant and creative, a tune that arises out of the background and musical traditions of the various immigrants to America's seashores.

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Extra resources for American Music: A Panorama, Fourth Concise Edition

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2. John Henry told his old lady, “Will you fix my supper soon? Got ninety miles o’ track I’ve got to line, Got to line it by the light of the moon, O Lordy! ” Copyright 2010 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.

What evidence do we have of its African character or quality? In the Western Hemisphere, African survivals are strongest on the north and east coasts of South America, and in the islands of the Caribbean (the latter including, culturally, French-dominated Louisiana until the twentieth century). These were areas of large plantations, with a high percentage of blacks in the population, where minimal attempts were made during slavery to control the activities of blacks when they were not at work. In what is now the United States, African traits survived less vigorously, for a variety of reasons.

Com/music/Candelaria/AmericanMusic4e for a full listening guide and other resources. WWW We can take “Soldier’s Joy” (CD 1/4) as a representative example. Like most fiddle tunes, “Soldier’s Joy” is in two distinct strains (or parts) with each strain repeated. Often the first strain is in the middle or low range of the fiddle, while the second strain is higher in pitch and played on the top two strings. These are respectively called the low strain and the high strain. On a first hearing, the piece seems to fly right by.

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